It’s official. I have now been in TDC long enough to be
reconstructing a piece in which I was an originating dancer. YOWZERS!
This week, TDC starts work on restaging “13,” a 30-minute
piece created and premiered four years ago during TDC’s 13th season.
It’s an interesting experience, to go back in time, watch work I created in a
previous life, and try to understand the decisions made and inspirations used.
It makes me reflect on the passage of time, and how, while four years may not
seem like too long ago, it was actually a lifetime ago. I lived in a different
home, I was not married, I had a different job, I moved differently, I lived
differently. I was different. To watch myself dance from so long ago, I might
as well be watching a total stranger. Fascinating!
Another difficult aspect of reconstructing work I had a hand
in creating vs. reconstructing work I did NOT create is readjusting
expectations of the experience. It can be very easy, when resetting previous
work, to expect things to feel the same – lifts should feel the same, contact
with other dancers should be the same, the timing should be the same,
EVERYTHING SHOULD BE THE SAME!!!!
100% of the time however, it’s not. It’s impossible. For
“13,” there are two returning original dancers. There is literally no way this
piece will even remotely resemble its original version, as the dancers
inhabiting the space are completely different people. Different bodies,
different minds, different perceptions. Everything, and I mean, EVERYTHING IS
DIFFERENT. Which is really hard. It can be so difficult to let go of those
experiences, those sensations, those journeys. When a dancer feels a sense of
ownership over the material of a work, it can be such a frustrating experience
to let that go – but that is what we have to do. Otherwise, reconstructing work
is the equivalent of pulling teeth. It sucks.
So here we are. Starting a new journey I’ve travelled
before. What keeps this fresh though is the fact that I am a new person, and
this time around, this journey will resonate within me in completely new ways,
leading to new movement invention, new partnerships, and new experiences. This, in and of itself, is just one more of
the many things that makes modern dance so engrossing and engaging, performance
after performance, piece after piece, year after year. Even old work feels new,
and old experiences become new journeys.
Submitted by TDC Dancer Kaitlin Bishop on Wednesday, October 31, 2012.
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