So here we are. After
7 years of dancing with TDC, the 4 years prior spent dancing in college, and
the 14 years prior spent dancing in Greenwood, Indiana, it’s pretty
self-evident that life has taken some serious turns, some of them unexpected
but all of them fulfilling.
And now life has given me another unexpected turn and I find
myself in yet another unfamiliar phase in my long-term relationship with dance:
on the sidelines. Still at rehearsal, but not necessarily in rehearsal,
witnessing the creative process instead of participating in it. It’s a
fascinating and disconcerting position to be in. While watching my fellow
dancers work, even now, only a month removed from creating material myself, I
get lost in what they are doing and creating, watching them work as I would
watch a dance concert, with enjoyment and a complete lack of understanding of
how hard each dancer is working. Watching the process I was just recently a
part of, it is remarkably startling how immediately lost that sense of work,
frustration, and struggle is.
This year’s new work offers particular challenges in the way
Margi has gone about structuring the creative process – structuring it as such
that there is no structure as to what a dancer can do, but only addressing what
they CANNOT. Rather than having a list of qualities, actions, moments, to
include, dancers only have a list of what they cannot do – navigating the
movement invention period with each other through individual “blind spots” if
you will. Again, fascinating to watch, particularly the movement, duets, and
group phrases that have been created, but upon flopping down on the floor at
10pm, I see complete exhaustion on the dancers’ faces. Not just physical
exhaustion, but mental – mentally drained and spent.
Regardless of how awkward and tense the dancers say they
feel in these awkward and tense relationships they are creating, they are
delving into areas of self and creativity that I have not yet been witness to in my time in TDC. In my observation, it’s not without some twinges of
jealousy that I am not a part of this process with them, but then again, I
would also be missing the bigger picture of creativity, instead, stuck in my
own frustration and exhaustion at the process.
Which is better? Jury’s still out. I never anticipated
myself just sitting on the sidelines in my dance career, but I must say
throughout my life, it is those situations I least anticipated that I learned
the most.
Submitted by TDC Dancer Kaitlin Bishop on Monday, November 5, 2012.
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