Five years forward or Five years back?

 

Photo by Eric Olson

Where will I be in five years? It seems a popular question to ask.  But for me, the opposite question gives me more opportunity to assess my current state.  Five years ago, where did I think I would be today?

Allow me to start at the beginning. After graduating with a BFA in Dance, Performance & Choreography, I moved to Chicago to pursue dancing with The Dance COLEctive.  Four years later, I am now the Manager of a small children's dance studio here in Chicago, the owner of which lives out of state. Like most people, whatever I thought I would be doing five years ago is not what has happened or even will eventually happen. I had never dreamed of owning a dance studio, and I certainly never thought I would find myself running one for someone else. So here I am, making a career out of my passion (and the degree that I will be working to pay off for the next 15 years) and taking every opportunity I can to squeeze the juice out of this life in order to make a living. 

Ups and downs come with any job and just because I am working in a career field that also happens to be my passion does not eliminate those struggles. It DOES force me  to evaluate my life and my "passion" on a daily basis. I often ask myself " Do I really know what I am doing?" or " Is this going to work?" When it comes to studio business decisions, I go with my gut; to be honest, most of what I have done is completely trial and error. Luckily, it has worked out so far and I have helped to grow the business through what I would call 'Personal Force'. Being the only Manager, teaching most of the classes, and being responsible for all the administration and housekeeping, I am literally doing it  ALL. However, at the same time I am responsible for it ALL. Do we want to increase enrollment numbers by adding classes in the morning? Sure! Olivia will teach those. Do we want to encourage community togetherness with Friday night dance parties? Yes! Olivia will teach those. More dancers equals more phone calls, of which Olivia will answer. Should we make a shift to being paperless in our communication? Of course! That means more emails for Olivia to answer. I have found that with growth comes more "opportunity", but when you are the all-in-one manager/teacher/maid/administrator that means more work for YOU. 

Quite literally, I have opened the door for this growth and then accepted the consequences by taking on more responsibilities. Of course it is rewarding to see that what I am doing is working, but I often wonder if this work I am doing (for someone else's business) is the best path for me.  Should I reevaluate what part of the dance world my passion lies?  Where do I think I will be in 5 years? I really don't know, so be sure to check back in with me in 2019, and I will let you know how these next five years pan out.

Submitted by TDC dancer Olivia May, on Tuesday, March 13, 2014. 

Thoughts on turning 18!

I was surfing the internet looking for its thoughts about turning 18 so that I could begin to shape my own ideas about it, and I ran across this:  18th Birthday Party Ideas: A Shared Wisdom Party. What a novel idea.

While the only real party will probably just be me having a quiet glass of wine I have been thinking a lot about TDC turning 18.  First, good god, where has all the time gone?  I can't even begin to calculate how many dancers, collaborators, dances, performances, hours in the studio or hours of administrative time devoted to maintaining the company.  Maybe this is an instance to implement a shared wisdom party. 

Time flies while you are having fun.  Enjoy every minute of what you love doing. 

While there are a great many successes prepare for failures and own them.

Relationships either be them brief or long lasting are ultimately tied to sustainability. 

Treat others the way that you want to be treated inside and outside of the creative process.  

Be proud but be humble. 

Honor the past and respect the present.

Look toward that future and be ready to adapt.  There is no other way to survive. 

It is virtually impossible to like every one of your peers fully and equally.  But, show them respect. In the end it creates a stronger community for everyone. 

Share your knowledge and resources generously with others.  It has the potential to circle back to you one way or another.

And, say thank you. 

I am truly grateful for all the dancers, choreographers, mentors, board members, funders, sponsors, donors, family members, friends, peers and audience members who have shared this journey with me and the company. I am humbled by this life I have been able to l carve out for myself in field of dance and in the city of Chicago. 

Thank you!

Submitted by Margi Cole, TDC Artistic Director on March 8, 2014. 

Life after college - what they DON'T teach you in school!

Photo by Eric Olson

I am forever grateful for my time in the dance department at Appalachian State University. I grew tremendously over my four years in the program. My passion for dance intensified and my creative vision matured. I made friends that will be my connections in the dance community for a lifetime and formed relationships with professors and mentors that I hope to continue to grow throughout my career.

          

What I failed to fully realize during my college experience, however, was that I was living in a tiny dance utopia. It was a world filled with like-minded friends who wanted to sit for hours and discuss our latest choreographic fantasies, with constant opportunities to take FREE master classes and workshops, and a space to perform and present work in the most open and accepting community. A perfect world! I didn’t realize just how spoiled I was.

          

My last two summers in Boone, I had an eye-opening and inspiring experience participating in a program called Now and Next Dance Mentoring Project, created by Ashley Thorndike-Youssef. The program is a tiered mentoring program including professional dance artists, college dancers, and middle school aged girls. Through refreshingly candid discussions with the professional dance artists, I gained a clearer understanding of how to make a life as a dancer. We discussed topics like how to pay the bills as a dancer and the variety of jobs that these successful dance artists had held throughout their careers. We talked about the importance of keeping connections and engaging in your community, as well as practical matters like health insurance for dancers, writing grants, and filing a dance company as a not-for-profit. This was all extremely valuable knowledge that I wouldn’t have gotten in my normal dance courses and am grateful to have had passed along from the seasoned pros. 

          

After almost three years in “the real world”, I have learned a lot about piecing together a life as a dancer. It’s not quite as peachy as it was in college, with everything laid out for me, but it’s an adventure. I value the time I had in college because it allowed me to grow into a mature artist in a safe and nurturing environment, but even more, I value the time I have right now to challenge myself, push myself out of my comfort zone, and find my individual voice as an artist and dancer. 

Submitted by TDC apprentice Molly Kirkpatrick on Monday, February 24, 2014. 

Life after college - following your dreams but paying your bills too!

Photo by Eric Olson

After graduating from Appalachian State University with degrees in Dance Studies and Psychology, I moved back home with my parents to figure out my next step and save some money to make that step possible.  After a couple months of working and living rent-free (thanks, Mom and Dad!), I decided I had saved enough to make a leap of faith and move to “The Big (second) City”. I knew I wanted to be in a place where I could be a part of a thriving and innovative dance community and hoped Chicago could be that place for me.

I was lucky to find a job working in a dance store fairly quicklyt after moving, which made it possible for me to enjoy my free time exploring the city and especially the vast dance scene. At the end of that first summer, I auditioned for the Dance COLEctive and was so pleased to accept an apprentice position with the company. I felt as though I had achieved my dream! I was living in an incredible city and had landed a real-life dancing job! I was over the moon.

I can honestly say that I still feel this same way. I am still in love with this city (more so when the temperature is in the positive range!) and haven’t stopped exploring all that it has to offer. I am currently working two jobs to make ends meet. One as a clinic coordinator at an acupuncture and massage clinic and the other serving at a local bar. I love my jobs. I work with amazing people and feel appreciated for what I do. But most importantly, working these jobs makes it possible for me to pay my bills and allows me to dance with the unbelievable women I spend every Tuesday and Thursday with. I feel lucky to be able to pursue my passion in such an incredible place with the inspirational support and friendship from the TDC team. 

Submitted by TDC Apprentice Molly Kirkpatrick on Tuesday, February 11, 2014.  

How to Succeed as an Independent Dance Artist

This week I was invited to talk to a group of upper division dance students in the Artists and Audiences class at the Dance Center of Columbia College.  I went to share my thoughts and experiences about operating as an Independent Artist in the field.  I offered them tips on things to research, places to look for information and ways to organize themselves through the business of dance and in preparing, I realized that something more emerged. What is really important are the ways in which you treat and communicate with people. Succeeding there enables you to create the infrastructure you need to operate successfully as an Independent Artist and in general, more than anything, it just comes down to being a good person. Dance teaches us so beautifully discipline, patience, perseverance, passion and how to interact with each other.  These are qualities I feel we can all benefit from and use in our "regular" lives.  What do you think? 

Here are my top 12 thoughts on the matter:

• Be on time.
• Treat people the way you would want to be treated.
• If you don't have anything nice to say, don't say it at all. You never know who is in earshot and might repeat something you did not mean for them.
• Follow through on what you commit to.
• Be an active member of your community. Participate, be seen, support and engage on many levels.
• Do your research.
• Learn how to make a budget. Be accountable to yourself and others in this arena.
• Put your money where your mouth is.  Your high expectation of others should also be something you expect of yourself.
• Be professional.
• Be authentic.
• Learn about the field at large.  Locally, nationally, internationally.  What are the current trends and issues that we face outside of the studio and theater.
• Say Thank You!  Even to your closest friends, peers and colleagues.  It just goes a long way.  

Thanks to Bonnie Brooks and the Artists and Audiences students for giving me the opportunity to share my thoughts and further refine my values on this topic!

Submitted by Margi Cole, TDC Artistic Director on Tuesday, February 4, 2014. 

The Path I Traveled

Photo by Eric Olson

Years ago, I thought long and hard on the big decision of where I wanted to go to college and what I'd be doing for the rest of my life. The only thing I knew and kept reverting back to, the place where I felt most comfortable and like myself, was when I was dancing. I am truly thankful my parents supported my ultimate dream, no matter the cost. (Trust me, I’m definitely paying for it.) Sometimes I wonder why they didn’t avert my ambitious 17-year-old-self from attending a school in which I could sustain a job that allowed me to support myself financially. What did I know? And then again, would I listen anyway? But, in writing this blog, I’m really glad they didn’t. I fully enjoyed my college experience once I stopped being a homesick baby. I wore sweatpants to class, I went to dance performances and dinners, I danced every day for four years while learning to stand on my own. Sometimes it was brutal and exhausting, but well worth the exploration. Not to mention, I met a lot of great people who are a huge part of the Chicago dance scene, and my life.

I worked part-time through college at a dancewear store a few blocks from my dorm in the city. After graduation, that job turned into a full-time opportunity, so I stayed. The first year after graduation, I went to numerous auditions- the pickings were slim and like all auditions, competition was intense. I am not a highfalutin dancer, probably the least flexible dancer in the history of the universe, but I found where my quirks and creativity were acceptable. This occurred a year later when I was asked to be an apprentice with The Dance COLEctive. Though the apprenticeship was an unpaid position, I was able to put my BA in dance to good use, and luckily I had a job that supported me and two roommates to help share the costs of living.

Along my way, I strangely stumbled into the field of law. I think I got lucky considering the fact that I now work full-time as a legal assistant downtown. I never dreamed of this when I was younger, ever. Dancer? Yes. Teacher? Maybe. Legal assistant??? No. Never even a question. But I feel really grateful that I understand and am pretty good at what I do, as it pays the bills. It’s one of those things that definitely happened for a reason. Working a 9:00am to 5:00pm is convenient and sometimes redundant. And redundancy is well, redundant. I'd like to know what job isn't. I’m glad that my schedule allows "me" time to even have a source – an outlet granting me the opportunity to take an uppercut to my routine – rehearsing, teaching, creating work, performing, and taking class year round.

I have come to find that it is tough to find a dance career that pays the bills, even now as a company member, and in this teetering economy. I am happy that I get to do what I love on nights and weekends and have the monetary support I need working during the day. Grant it, most of my days are technically 12 hour workdays and on occasion there is sacrifice for fun, family, and time, I get to do what I love which definitely keeps me sane. Most people can't say that and maybe some people don’t even get the chance.

Dance and TDC has been a major constant during the most important time of my life while finding myself and evolving as an adult. It’s always been the one thing I can rely on. It’s hard to count on and trust people, but every Tuesday and Thursday night, I know my team is there, and I know I can find myself there too.

Submitted by TDC dancer Katie Petrunich on January 26, 2014.

Aim, Journey, Tackle

Photo by Eric Olson

I have been around The Dance COLEctive block a couple times. Heck, I’d say I’ve been living in the neighborhood for quite some time. Margi Cole began COLEctive Notions the first season I joined the company (2009-2010). I was able to be a part of each year’s process since then, observing the ins and outs of each choreographer’s decisions and being aware of all the behind-the-scenes action, and learning what it takes to put an entire show together. Allowing the time to become a stronger dancer and letting the techniques and customs of TDC sink into my body and thought processes made the wait well worth it.

In order to choreograph for this dancer-produced show, one must be a company member for two years. Starting as an apprentice for my first two years and then continuing on my TDC journey as a full company member - four years later, I was eligible to submit a proposal for the upcoming show. I felt seasoned and ready, and luckily, I had an idea. (And fortunately for me, Margi was also supportive of that idea.)

I had a wonderful experience working with my fellow dancers, Julie Boruff and Shannon Edwards. They worked wonderfully together, trusted each other and trusted me, which I appreciated tremendously. Their dynamic movement styles fueled my idea, bringing the duet to life. Their vulnerability spilled over, leading the piece to its fullness - sharp and soft movement sweeping the floor.

My initial concept shifted throughout the process as well, but I accepted the flow, rode the wave and let it create itself. I had to trust my gut in that I was making the right decisions, which came fairly easy. I grew up choreographing, in high school mostly, and it’s always been an artform that I thoroughly enjoy.

I would definitely choreograph again if I was given the chance, and another concept sparked my brain. I already have the wonderful opportunity to work with a great group of dancers, which makes the whole process fun, easy, inspiring and completely satisfying.  Margi has graciously given us the chance to take the stage in a different way and I am thankful to have her support and expertise. Her willingness to let us represent our voices under The Dance COLEctive’s name is an honor and definitely one of my biggest accomplishments as a professional dancer.

Read the review about the show here in The Huffington Post. 

Submitted by TDC Dancer Katie Petrunich on Sunday, January 12, 2014