Past- Forward

Photo by Eric Olson

Past:
I was first introduced to dance in the 6th grade, I was told “cool” girls dance. I guess I wanted to be cool so I took a class and fortunately got hooked. However, before coming to Columbia College Chicago I had no real formal dance training, but that’s a whole different story. My first modern dance technique class was with Margi Cole. I had no
idea what I was doing. I was swishing on the floor, doing contractions, getting acquainted with my sit bones, experiencing the prance for the first time and more. Through my inexperience, I desired to learn. Margi was a teacher that I highly respected. She helped me find the technique that was buried in my body. My freshman year of college, I saw a few dance shows, but the one I remember the most was The Dance COLEctive’s when I saw 13 for the first time. I remember connecting well with the piece. I was not only inspired by the content but also by the dancers. I admired their presence, movement vocabulary, humor, and ease with speaking on stage. It was a level of professionalism that I wanted to embody. Entering into my junior year of college, I auditioned for TDC. I did not make it into the company that time around but I knew I would try again. I had Margi as a teacher a few more times at Columbia, but in my final semester, I grew as a dancer and performer under her direction. She taught a Performance Rep Class during that semester, teaching our class how to behave, learn, grow and perform like a company. I respected the way she treated us and how she was able to handle any situation. So when summer came around, I again auditioned for the company.

Forward:
Having the opportunity to be a part of TDC this year has been a true joy. It was surreal to be a part of the recreation of the piece 13 because that was the first piece I had seen  my freshmen year of college. I have been challenged as a performer through different performance spaces, audience awareness, movement vocabulary, text and content of the various pieces we have worked on. As an artist/dancer, being challenged both mentally and physically is crucial, and TDC provides that environment of growth. We are currently polishing up Moving Stories, a piece to be performed during the launch of FlySpace on the Pritzker Stage next weekend April 12-14. There is such a natural raw beauty to the work that I have not felt in a long time. The piece is honest, intricate and very human. I am excited and dazed to be able to perform with The Dance COLEctive not even a full year out of school on the Pritzker. I am looking forward not only to our next performance but to what the next year will bring.

Submitted by TDC Apprentice Julie Boruff on Thursday, April 4, 2013.  

In celebration of TDC’s 17th season!

This March, we celebrated TDC’s birthday – 17 seasons! That’s a nice run and TDC continues to grow. Margi’s set of skills go beyond choreography, she knows the ins and outs of running a business. She’s a grant writer, budget maker, deadline queen, collaborator, director, teacher, coordinator of all; the list never ends.

In celebration of TDC’s 17th season, I’ve gathered some quotes from past and present dancers regarding their experience with Margi and the dancers, and people who are involved in the dance community who are aware of Margi’s work and methods, and how she’s impacted Chicago’s dance community.

Working with Margi Cole is refreshing! She is the consummate professional and I think her general "equality vibe" infiltrates the organization. It is clear that she is the director but at no point did I feel inferior, quite the opposite, I felt that she was very empowering. If a dancer had a talent or inkling then she was a huge supporter. She is also one of the few artists I have ever seen really and earnestly partake in collaboration. She is really good at it. I understand why people work with her for a long time, because it is not the kind of work that breaks you down (physically or spirit). She is invested in her dancers and allows them to continue to grow. -Molly Schneider Perez, Former TDC company member

TDC offered a safe environment to grow as an artist. I was given the freedom to think about dance in new ways and be challenged. I also got to watch Margi grow as a choreographer over the years. She continually challenges herself. Her work today is more complex and layered than her earlier work. That's part of what makes TDC an exciting company to watch. -Alaina Murray, Former TDC company member

I first recognized Margi’s awesome talent in the mid-80s, in a Beginning Modern class at the old Dance Center. She wouldn’t remember me being there, but I sure remember her—I was totally intimidated by her strength and finesse. She’s still strong. It’s no mean feat to have kept a company going for 17 years, which she’s done partly by coming up with ingenious ways to fuel her creativity: by continuing to dance challenging solos herself, and by opening TDC to collaboration—a goal of hers from the get-go. Watching TDC in rehearsal and performance, I get the feeling of a true, loyal, very female family working together. Happy anniversary! -Laura Molzahn, Dance critic and writer for the Chicago Reader

Working with Margi is an all-encompassing dance experience. The work itself is physically demanding, and also calls for rapt attention to the nuances of human experience. The body cannot lie when performing Ms. Cole’s work…as dancers, we are challenged to draw from the experiences that make us unique, real, and connected to those around us. Margi’s methods for molding these ideas into relatable, engaging dance composition are both artful and ever changing. - Erin Jaffe, Former TDC company member

Margi is one of the most talented and skilled choreographers and teachers in Chicago. I have known Margi since she was a student at the Dance Center of Columbia College. Over the years I have found her to be generous and supportive in her relationships with fellow artists and to demonstrate outstanding managerial skills. Margi makes an important contribution to Chicago's dance community. - Shirley Mordine, Artistic Director of Mordine and Company, and founder of The Dance Center at Columbia College Chicago

TDC is more than a dance company it is a group of artists collaborating, exploring and pushing boundaries together. In my experience thus far I have enjoyed that every voice matters. Margi is a director and teacher that is clear, organized, open, explorative, and knows how to challenge her dancers. The piece that we are currently working on recently shifted for me, for the movement I perform now feels like my own. -Julie Boruff, current TDC apprentice

Margi Cole has proven to be an integral part of the Chicago dance community. To say it has been a pleasure to evolve and grow with her the past 7 years would be an understatement. Her roles as dancer, choreographer, artistic director, business administrator, mentor, and friend have had an incredible impact on my life, both personally and professionally. -Maggie Koller, current TDC member

My experience in my first season with TDC has been eye opening. Having the joy of working with such amazingly talented and inspiringly strong women has giving me a new confidence in myself that I am only beginning to understand. Margi is always surprising me with her choreographic challenges and ability to shake and alter an image, an idea, a movement phrase and make it fresh and thought provoking. I am being challenged constantly and feel myself growing as an artist, a dancer, and a young woman. -Molly Kirkpatrick, current TDC apprentice

I can't imagine where I'd be as a dancer and person if I didn't have my experience with Margi and the girls! I have made the most wonderful, caring and unique group of friends any person could ask for while dancing with TDC. Sweat, tears, confrontations, laughter and the usual joke during planks are just a few things I looked forward to in every rehearsal for ten years. Ten years my life was TDC, swooshes, contraction series and the dreaded developpe along to Margi's top ten playlist on her "I-thing". I learned respect, professionalism and how to find my head tail connection while also finding my two-way energy all at the same time! If you've ever had the pleasure of working with Margi and TDC you understand. If not, go and take a class with the company. You'll always be welcomed like a friend. -Molly Grimm-Leasure, Former TDC company member

TDC has been an experience that has helped me grow as an individual, but also as a collaborator. Margi has helped me become a better dancer/creator/witness to my own work and has shown me the importance of working hard and being involved in as many ways as possible. I have applied this method to many areas of my life and see myself and our work as a company progress because of it. -Madelyn Doyle, current TDC company member

I’d like to thank everyone for their quotes and thoughts.

So, surprise and congratulations, Margi! You’re an inspiration and you’ve done, and still do, so much for people inside our dance community. I’m lucky to be surrounded by such a great bunch. I know you’ve endured many struggles throughout the years, but with struggle comes success, and that success continues to grow with each season, enriching the movement and I like to think, making dance history. 


Submitted by TDC Dancer Katie Petrunich on Monday, April 1, 2013. 

Evolution of a fall leaf...

Looking at TDC before delving in, the dancers consisted of a strong bunch of women. Molly Grimm-Leasure, Maggie Koller, Alaina Murray, Summer Breal, Olivia May, Molly Perez, Kaitlin Bishop, and Jessica Post stood out to me. When I thought of TDC, I thought of these girls. They were my inspiration as they maneuvered bodies through space, leaped, shifted, and made the stage breathe. I never imagined I’d have a chance in the world to be a part of such a talented group who work so well together. And little did I know that I'd have the opportunity, and honor, to dance with them for years to come.

Photo by William Frederking

Shannon McGuire-Edwards and I came in as apprentices in 2009. Shannon and I took a few classes during our college years and became friends, so it was nice to have a familiar face to experience a dynamic change with. We stuck together, created phrases, wore similar outfits to rehearsal (and still do) and redeemed our dual nickname - the fall leaves.  I still can’t believe it’s our fourth season together.

Since then, TDC has been a perpetual constant in my life. There have been so many changes in my personal life, as others in the company, we’ve become a support system as well as an outlet. No matter how bad my day was and sometimes when motivation is lacking in my body, these girls always make me smile. And dancing… well, it’s always just a great reminder of what truly makes me happy, and there’s never a day that goes by that I’m not thankful that I’ve been given the opportunity to be able to do what I love.

Throughout the years, there have been several shifts in the company. Things change, people’s lives change, and we’ve had to say goodbye to several members along the way, a few of whom have danced the longevity of the company. Last season, we had to hold back tears as Molly Grimm-Leasure and Alaina Murray retired their bare feet off the dance floor. Current senior members consist of Maggie Koller and Olivia May. Shannon and I are next in line. Sometimes I can’t believe it because of my initial idea of the company consisting of the strong group of women I had mentioned earlier. To be honest, I still consider them as part of the group. They’ll always be TDC in my eyes, no matter how it shifts and changes. We have an amazing group of women right now and I couldn’t be more thrilled. Margi always says she’s so upset that we don’t get along. :-)   It’s pretty impressive that a group of 8 women can actually get along so well. She always says that she has to create a pallet for TDC, and I’m glad she sees me fitting into the mix.

Margi’s dancers typically dedicate several years at a time, which allows for the partnering and the movement vocabulary to be rich and full. It’s great to build and keep that trust, permitting us to rely on each other. We put in 6.5 to 10.5 hours in each week, I’d say 9 months out of the year (not including show weeks). We work hard, but we also enjoy ourselves. We’re all here solely for our love of dance, to be creative, to perform, and we’re grateful to have Margi Cole as our fearless leader.

TDC is like my second family and I don’t know how I could ever live without these girls in my life, continuously creating friendships and bonds that I couldn’t have found anywhere else. I truly think it keeps me sane during my work week. I embrace it every time I stand in front of the mirror during floor exercises or warm up. I’m not sure where my life will take me, so I’m embracing every dreadful développé, soaking up every swish, and embodying movement that becomes part of history, and turns into memories.

Submitted by TDC Dancer Katie Petrunich on Monday, March 18, 2013

From Stage to Stage

Blinding stage lights, an old wooden floor with crumbled rosin in the corner, thick black billowy curtains, and red plush seats gazing back at me.  There, as a five year old I stood, a gloomy little rain cloud, in The Phantom of the Opera recital. I wonder how my thoughts, feelings, and views compare back then to being on stage now. I never had a care in the world, but I remember being so happy in my tutu, tights, leather ballet slippers, and make up with a high bun. That feeling stuck with me growing up, and even though I never danced consistently throughout my childhood, it later emerged in my life and now I couldn’t imagine myself without it.

Photo by William Frederking

There are many great images and sayings I have learned, which now have become engraved in my head from teachers along the way. Some of my favorites include, “Pretend your feet are sinking in mud – Feel a warm sunburst on your face – Just be in the position, do not move, hold – The only person who’s going to push you is yourself.” Another inspiring teacher wanted to make sure we asked ourselves these questions:

What are we doing? Why are we here doing this? What do we want to do? Who are our heroes?  


These things that stick with us make us dancers who we are. Dancing isn’t just about technique, it’s about passion, creativity, and awareness. Along with those teachers, Margi Cole is also a voice of reason in my head, “Keep your ribs knitted together, drop your shoulders, keep your head-tail connection, don’t hold your breath.” I was drawn into the way Margi taught, moved, and the way her movement invention felt right in my body.

Throughout college, I monitored TDC, like all of the modern dance companies in Chicago. I went to auditions, got cut from them, and didn’t give up. Margi’s movement made me feel alive, so I continued to attend company class. I assisted TDC backstage in the January concert is its 13th season. I got to know the girls and was able to see how the company worked. One of the pieces I helped tech was “13”; little to my knowledge would I reconstruct the dance 4 years later…

I had the pleasure of being an apprentice for my first 2 seasons, and after working my way up and challenging myself, I’m now in my fourth season. One of the things I love the most is that Margi allows us to create our own movement and perform it. There is always a new way to generate movement and she gives us the guidance and spice to construct, disassemble, mash, and layer our work. Working weekly, year round, allows us to create intimate, yet dynamic movement. I have had to pleasure to work with wonderful women throughout the creative process and I only feel like I’m just getting warmed up.

Submitted by TDC Dancer Katie Petrunich on Wednesday, March 13, 2013

Dancing with the Chicago skyline as my backdrop

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As a first year Chicagoan, I still get excited every day when I ride the train downtown and see the breathtaking beauty of the skyline. When I’m downtown, I feel dwarfed by the towering buildings. The architecture can be overwhelmingly powerful. I  love the feeling of being part of something so much bigger than myself.  

So it is a thrill for me that The Dance COLEctive’s spring concert will use the city’s actual skyline as our backdrop. When we perform at Millennium Park’s Jay Pritzker Pavilion stage in April, the audience will face the opposite way from its usual summer perspective when concertgoers gather on the lawn of the park. Instead, the unconventional orientation will have the audience facing the lawn and the back “wall” of the space will be a large glass panel that looks out onto Millennium Park, with the city skyline as our backdrop. The space itself will be intimate, but with the glass wall, it has the capacity to seem endless. This perspective should add an interesting layer for the audience as well as for the dancers.  

The chance to perform “Moving Stories” in this space is especially powerful for me. Moving to Chicago has been the biggest move of my life and was a huge leap of faith for me. Dancing with the city as my backdrop is the perfect metaphor. The audience will see the dancers in the foreground, framed by the architecture. Our movement and bodies will be enclosed by shapes and lights outside the stage. We will be the focus, dancing within the city’s overwhelming mass and power. This encompasses my moving story. 

The Dance COLEctive’s spring performances at the Jay Pritzker Pavilion are April 12 – 14 are part of the official flight of FlySpace.  FlySpace is a resource-sharing consortium, conceived and launched by Jan Bartoszek (Hedwig Dances), Margi Cole (The Dance COLEctive), Michelle Kranicke (Zephyr Dance) and Joanna Rosenthal (Same Planet Different World).  The venture supports creative independence and institutional growth by combining and coordinating offstage work and cutting-edge technology to grow audiences.  FlySpace’s commitment to new forms of cooperation shares each director’s passion for content-driven contemporary dance, discovering fresh aesthetics in live performance, and engaging its audiences. Working together on new tools for audience development, all four organizations ascend together.  You can find out more about FlySpace by reading this article http://www.dancecolective.com/crain.html.

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For tickets visit http://flyspacechicago.brownpapertickets.com/.

Submitted by TDC Apprentice Molly Kirkpatrick on Monday, February 25, 2013. 

           

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Trust The Process

 

Every choreographer has her own creative process. The variety of approaches fascinates me. I have worked with choreographers who come into the rehearsal space with a definite plan, with diagrams and extensive notes, and with choreographers who like to come into the space with only a feeling and see where that takes them. The Dance COLEctive’s Margi Cole is somewhere in between.  She always has a plan, whether she makes it known to the dancers or not, and she allows that plan to evolve and unfold in an organic way. Margi’s process often involves writing assignments, word lists for movement invention, and lots of rubbing material together, stripping it down and then piecing it back together again. 

Currently in rehearsal, we are reconstructing a piece the company did last year. We are creating some new material as well as relearning -- or in my case as a new member, learning --  old material. This is a new layer to the process for me, having never worked with a company that has a repertory of work to pull from. 

As a newbie, I’m relying heavily on the veteran dancers who know the material, and they are very helpful. They remember the material quickly and are able to help teach sections of the work that Margi wants to salvage from the original piece.  

We’re also using video to learn the piece. What a challenge! I get all turned around directionally when taking the movement from video and transferring it into the space. Which way are things facing? Which foot is doing what? Where are they in space?

Having been a dancer all my life, mimicking movement is like second nature. All this would come so naturally to me that I wouldn’t even think about it. But video is different: I have to keep rewinding the tape over and over and watching and re-watching even the most simple movements. And subtle things like where a movement initiated from remain a mystery.  

Just like learning movement from a dancer is a learned skill, so is learning from video. I have to keep reminding myself of that instead of putting myself down by thinking, “This shouldn’t be so hard!  What is wrong with me?!”. I need to put the movement perfectionist in me to rest.

It’s also important for me to remember that although we are re-staging an existing work, the work we are creating is new. There is a new cast of dancers, new stories and experiences influencing the work, and the finished product will be different.   I’m working on trusting the process, and on trusting myself. 

Submitted by TDC Apprentice Molly Kirkpatrick on Thursday, February 21, 2013.

The Big Leagues

After graduating from Appalachian State University in the mountains of North Carolina with degrees in Dance Studies and Psychology in May 2011, I knew that I wanted to continue dancing. I didn’t exactly know how I was going to do that, but I knew that I wanted to find a dance community in which I wouldn’t lose myself. A place where I could be challenged creatively and fulfill my desire to be a part of making and presenting interesting and meaningful work. Somewhere I could be part of the process and part of a team. I feel so blessed to have found all of these things as an apprentice this season with The Dance COLEctive! 

Photo by Eric Olson

I visited Chicago only a handful of times before I decided to move here this past June. I loved the city. It felt like a big city with a small neighborhood feel and extremely friendly people. I was up for a new adventure. I took dance classes at a number of dance studios whenever I was in Chicago. Then, during one of my visits, TDC company member Olivia May invited me to  an open company class. I knew Olivia from our hometown of Raleigh, NC. I am so grateful to her for allowing me to tag along and get a taste of the the Dance COLEctive. The class was wonderful! All the dancers were welcoming and Margi’s class was challenging and fun.

When I finally built up enough courage (and money) to make the move to the big windy city, I made the leap. With a good friend from home, in a Penske truck filled with all of our belongings, we steered north – and a little west.  Once in Chicago, I tried to take advantage of as many dance classes and opportunities as I could. I was overwhelmed (and still am) by how much is going on here. I attended The Dance COLEctive audition in August, immensely intimidated to be at my first ever professional audition. After auditions and call backs, I was so pleased to be offered an apprentice position with the company. I literally jumped up and down when I received the email from Margi. And now, after our first performance together this season, I really feel a part of it all. Surrounded by inspiring and powerful women, dancing to my heart’s content, I can officially say I’m livin’ the dream.

Submitted by TDC Apprentice Molly Kirkpatrick on Sunday, February 10, 2013.