Words From the Dancers on Performing at The Pritzker

In 2010 I interned with The American Dance Festival in Durham, North Carolina. My
 job was to assist in documenting the different dance companies and speakers that
came to the festival. I had the opportunity to meet Artistic Directors Monica Bill Barnes
and Martha Clarke; assist in filming Pilobolus, RUBBERBANDance Group, and Paul
Taylor, among others. From my experience during the internship, I learned that every person has a role, both on stage and off. At the time, I did not know where I wanted my focus to be. However, after seeing a variety of companies perform on small stages to large theaters, by the end of the festival I knew that I wanted to perform. When I got back to Chicago, The Chicago Dance Festival was taking place on The Pritzker Stage in Millennium Park. I had just witnessed amazing dance in North Carolina and returned to amazing dance in Chicago. It was towards the end of the summer, I was sitting on the great lawn and the Joffrey Ballet was performing. Suddenly, questions started plaguing me: "Who picks what the viewer sees? What does it mean to dance here verses there? How does it feel to perform in this space over a different space?" I asked these questions to a few of my fellow TDC dancers as we took to the Pritzker Stage this past weekend for FlySpace. 

Photo by William Frederking

"I was in college at the time and had only performed on The Dance Center stage and a few small venues around the city. Having this opportunity this past weekend to perform on the same stage that critically acclaimed musicians, dance companies and other forms of art/entertainment have touched is inspiring and intimidating. The Pritzker Stage is a beautiful space and I am excited that the viewer not only gets to see the work up close but also gets to experience being a part of the space. During most shows, the viewer is on the outside, often far away. For the FlySpace programs, audience members have the opportunity to see the tiny details, view the city's southern skyline, take in the woodwork, hear the dancers breathe, and feel the energy of the works and the space."~Julie Boruff

"Performing on the Pritzker Stage is an experience like no other. There are so many
unique aspects of the space that make every gesture feel monumental. Seats on the
stage and in the loft force intimacy with the audience, yet at the same time the vast
backdrop of the pavilion creates a landscape and a tremendous sense of depth
behind the work. You are aware of the inside and outside at the same time, which
offers a very different experience, both as a performer and an audience member,
than that of a dark, enclosed black box theater. I am truly excited to have the
opportunity to dance on this stage, and I am proud to participate in this important,
initial undertaking of the FlySpace strategic partnership."~Maggie Koller


"FlySpace provides a broad platform for Chicago artists, further extending an
additional outlet to our community. Combining our voices and enhancing our
audience’s awareness will hopefully generate a wider interest in our individual
crafts. This is a great opportunity geared towards seeing the modern dance scene
boom. I’m glad that TDC is apart of this involvement. I’ve watched multiple acclaimed dance companies prance across the Pritzker Stage over the past 5 years and I always imagined how amazing it would be to do the same. I never thought I’d get the opportunity, ever. I can’t even fathom how alluring the theater is and how truly amazing the ability to step onto the stage, let alone dance my heart out. I’m honored to perform in such a beautiful space and to be sharing the structure with another dance company who idolizes it just the same. I keep taking everything in, making sure I see something new every time I perform –especially looking out the windows and beyond the buildings. Excited!"~Katie Petrunich


"Performing on the Pritzker Stage feels like such a privilege. The space is
unbelievably beautiful. The high ceilings, vast, open space with a large glass wall
overlooking the city is unlike any other space I have ever performed in. Although the
space seems large, using it as a dance venue turns it into a very intimate space. The
audience sits on the same level as the dancers as if they are part of the performance
themselves. After a certain time at night, you begin to see reflections of the dancers
in the glass, as well as shadows dancing around the entire space, adding layers to
the performance. It is a really exciting experience to have the honor to dance in this 
space!"~Molly Kirkpatrick

Submitted by TDC Apprentice Julie Boruff on Tuesday, April 16, 2013.   

Past- Forward

Photo by Eric Olson

Past:
I was first introduced to dance in the 6th grade, I was told “cool” girls dance. I guess I wanted to be cool so I took a class and fortunately got hooked. However, before coming to Columbia College Chicago I had no real formal dance training, but that’s a whole different story. My first modern dance technique class was with Margi Cole. I had no
idea what I was doing. I was swishing on the floor, doing contractions, getting acquainted with my sit bones, experiencing the prance for the first time and more. Through my inexperience, I desired to learn. Margi was a teacher that I highly respected. She helped me find the technique that was buried in my body. My freshman year of college, I saw a few dance shows, but the one I remember the most was The Dance COLEctive’s when I saw 13 for the first time. I remember connecting well with the piece. I was not only inspired by the content but also by the dancers. I admired their presence, movement vocabulary, humor, and ease with speaking on stage. It was a level of professionalism that I wanted to embody. Entering into my junior year of college, I auditioned for TDC. I did not make it into the company that time around but I knew I would try again. I had Margi as a teacher a few more times at Columbia, but in my final semester, I grew as a dancer and performer under her direction. She taught a Performance Rep Class during that semester, teaching our class how to behave, learn, grow and perform like a company. I respected the way she treated us and how she was able to handle any situation. So when summer came around, I again auditioned for the company.

Forward:
Having the opportunity to be a part of TDC this year has been a true joy. It was surreal to be a part of the recreation of the piece 13 because that was the first piece I had seen  my freshmen year of college. I have been challenged as a performer through different performance spaces, audience awareness, movement vocabulary, text and content of the various pieces we have worked on. As an artist/dancer, being challenged both mentally and physically is crucial, and TDC provides that environment of growth. We are currently polishing up Moving Stories, a piece to be performed during the launch of FlySpace on the Pritzker Stage next weekend April 12-14. There is such a natural raw beauty to the work that I have not felt in a long time. The piece is honest, intricate and very human. I am excited and dazed to be able to perform with The Dance COLEctive not even a full year out of school on the Pritzker. I am looking forward not only to our next performance but to what the next year will bring.

Submitted by TDC Apprentice Julie Boruff on Thursday, April 4, 2013.  

In celebration of TDC’s 17th season!

This March, we celebrated TDC’s birthday – 17 seasons! That’s a nice run and TDC continues to grow. Margi’s set of skills go beyond choreography, she knows the ins and outs of running a business. She’s a grant writer, budget maker, deadline queen, collaborator, director, teacher, coordinator of all; the list never ends.

In celebration of TDC’s 17th season, I’ve gathered some quotes from past and present dancers regarding their experience with Margi and the dancers, and people who are involved in the dance community who are aware of Margi’s work and methods, and how she’s impacted Chicago’s dance community.

Working with Margi Cole is refreshing! She is the consummate professional and I think her general "equality vibe" infiltrates the organization. It is clear that she is the director but at no point did I feel inferior, quite the opposite, I felt that she was very empowering. If a dancer had a talent or inkling then she was a huge supporter. She is also one of the few artists I have ever seen really and earnestly partake in collaboration. She is really good at it. I understand why people work with her for a long time, because it is not the kind of work that breaks you down (physically or spirit). She is invested in her dancers and allows them to continue to grow. -Molly Schneider Perez, Former TDC company member

TDC offered a safe environment to grow as an artist. I was given the freedom to think about dance in new ways and be challenged. I also got to watch Margi grow as a choreographer over the years. She continually challenges herself. Her work today is more complex and layered than her earlier work. That's part of what makes TDC an exciting company to watch. -Alaina Murray, Former TDC company member

I first recognized Margi’s awesome talent in the mid-80s, in a Beginning Modern class at the old Dance Center. She wouldn’t remember me being there, but I sure remember her—I was totally intimidated by her strength and finesse. She’s still strong. It’s no mean feat to have kept a company going for 17 years, which she’s done partly by coming up with ingenious ways to fuel her creativity: by continuing to dance challenging solos herself, and by opening TDC to collaboration—a goal of hers from the get-go. Watching TDC in rehearsal and performance, I get the feeling of a true, loyal, very female family working together. Happy anniversary! -Laura Molzahn, Dance critic and writer for the Chicago Reader

Working with Margi is an all-encompassing dance experience. The work itself is physically demanding, and also calls for rapt attention to the nuances of human experience. The body cannot lie when performing Ms. Cole’s work…as dancers, we are challenged to draw from the experiences that make us unique, real, and connected to those around us. Margi’s methods for molding these ideas into relatable, engaging dance composition are both artful and ever changing. - Erin Jaffe, Former TDC company member

Margi is one of the most talented and skilled choreographers and teachers in Chicago. I have known Margi since she was a student at the Dance Center of Columbia College. Over the years I have found her to be generous and supportive in her relationships with fellow artists and to demonstrate outstanding managerial skills. Margi makes an important contribution to Chicago's dance community. - Shirley Mordine, Artistic Director of Mordine and Company, and founder of The Dance Center at Columbia College Chicago

TDC is more than a dance company it is a group of artists collaborating, exploring and pushing boundaries together. In my experience thus far I have enjoyed that every voice matters. Margi is a director and teacher that is clear, organized, open, explorative, and knows how to challenge her dancers. The piece that we are currently working on recently shifted for me, for the movement I perform now feels like my own. -Julie Boruff, current TDC apprentice

Margi Cole has proven to be an integral part of the Chicago dance community. To say it has been a pleasure to evolve and grow with her the past 7 years would be an understatement. Her roles as dancer, choreographer, artistic director, business administrator, mentor, and friend have had an incredible impact on my life, both personally and professionally. -Maggie Koller, current TDC member

My experience in my first season with TDC has been eye opening. Having the joy of working with such amazingly talented and inspiringly strong women has giving me a new confidence in myself that I am only beginning to understand. Margi is always surprising me with her choreographic challenges and ability to shake and alter an image, an idea, a movement phrase and make it fresh and thought provoking. I am being challenged constantly and feel myself growing as an artist, a dancer, and a young woman. -Molly Kirkpatrick, current TDC apprentice

I can't imagine where I'd be as a dancer and person if I didn't have my experience with Margi and the girls! I have made the most wonderful, caring and unique group of friends any person could ask for while dancing with TDC. Sweat, tears, confrontations, laughter and the usual joke during planks are just a few things I looked forward to in every rehearsal for ten years. Ten years my life was TDC, swooshes, contraction series and the dreaded developpe along to Margi's top ten playlist on her "I-thing". I learned respect, professionalism and how to find my head tail connection while also finding my two-way energy all at the same time! If you've ever had the pleasure of working with Margi and TDC you understand. If not, go and take a class with the company. You'll always be welcomed like a friend. -Molly Grimm-Leasure, Former TDC company member

TDC has been an experience that has helped me grow as an individual, but also as a collaborator. Margi has helped me become a better dancer/creator/witness to my own work and has shown me the importance of working hard and being involved in as many ways as possible. I have applied this method to many areas of my life and see myself and our work as a company progress because of it. -Madelyn Doyle, current TDC company member

I’d like to thank everyone for their quotes and thoughts.

So, surprise and congratulations, Margi! You’re an inspiration and you’ve done, and still do, so much for people inside our dance community. I’m lucky to be surrounded by such a great bunch. I know you’ve endured many struggles throughout the years, but with struggle comes success, and that success continues to grow with each season, enriching the movement and I like to think, making dance history. 


Submitted by TDC Dancer Katie Petrunich on Monday, April 1, 2013.